1949 Martin D-28 Top Purf/Binding

The purfling and bindings are finally completely installed. The top got the same treatment as the back (purfling installed first, then binding). Of course if you run into a weak spot in the purfling or binding, it is always in the most conspicuous of places. Here the purfling split during the initial glue-up. I forgot to get a picture of the actually problem with the purfling. This is a picture of the graft inserted but not yet glued in.

1949 D-28 Purfling Break

1949 D-28 Purfling Break

Here is the repair with the binding installed as well. I scraped it a little just to get the clouding caused by the binding/acetone slurry out of the way. Not looking too bad. After the guitar has set for a couple more days, the purfling/bindings will get fully scraped the top will get cleaned and the neck reset.

1949 D-28 Purfling Fixed

1949 D-28 Purfling Fixed

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1949 Martin D-28 Bindings

The bindings/purflings have been a small challenge. I had to install them in several steps.

First I melted the bwb and ivory black together (see the previous post). Then, I glued on the stacked purfling.

Gluing on the back purfling.

Gluing on the back purfling.

Next the ivoroid binding is glued on using a combination of medium viscosity cyano-acrylate glue and a slurry of acetone and binding material.

Gluing the back binding.

Gluing the back binding using medium c-a glue and a slurry of binding and acetone.

The acetone and glue make the binding a purfling expand, so it will have to set for a few days to gas off before scraping and shaping to final size.

Back purfling and binding installed.

Back purfling and binding installed and gassing off before scraping.

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Melting the Purfling and Mando Tone Bars

Still prepping to bind the ’49 D-28. Here I am melting purfling together before gluing them on the guitar.

Melting the Purfling

Melting the purfling together.

Another Infinity A mandolin gets it wings so to speak. Here I have shaped and tuned the tone bars. Next step is to glue on the top.

Shaping the Tone Bars

Shaping the tone bars of an Infinity A mandolin.

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Routing the Purfling and Binding Channels

After alot of measurement and testing, it was time to route the purfling and binding channels for the 1949 Martin D-28. Make sure you’re using a sharp bit and a router with ample power and minimal runout.

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1923 Gibson F5 (Lloyd Loar signed)

I recently got the chance to spend a lot of time with a 1923 Gibson F5 Mandolin signed by Lloyd Loar. This mando was in great shape and signed the same day as Bill Monroe’s, July 9, 1923. If you are aware of the Loar signed F5′s, you know the ‘lore’ to go with them. I have to thank the guys at Elderly for letting me fully measure, photograph and test drive the mando. This time with the mandolin will surely spawn my own line of Loar reproductions. By the way, this F5 is currently on consignment for $250,000 USD; my recommendation, save yourself a couple hundred K and get your order in for one of mine. ;)

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